'Wrecked on the Intertidal Zone' was an enquiry into the Thames Estuary that used art to stir up the murky, muddy world of South Essex. Over the last few years YoHa has been supported by many local artists, fisherman, boatyards and especially the Belton Way Small Craft Club. We have worked with Critical Art Ensemble on Graveyard of Lost Species, Fran Gallardo on Dirty Talking and Goldsmiths and Southend-on-sea's own Andi Freeman who has been exploring the critical face citizen science.


Collectively we were preoccupied by the genealogical/ ecological/ political complexity of the Thames estuary. For YoHa this interest did not arise out of some sentimental idealised cosy relationship with nature as seen through a London window. For YoHa the complex estuaries resistance to the logics of computation and it's interrelation to technical objects makes it pathologically addictive.

Wrecked On the Intertidal Zone

Epitaphs of the Common Mud

(balwarks of the main hull of the Souvenir)

Sanfire growing on Two Tree Island
Context